{"id":12348,"date":"2017-07-13T06:58:00","date_gmt":"2017-07-13T06:58:00","guid":{"rendered":"https:\/\/www.giacintobosco.com\/critica\/"},"modified":"2023-03-31T18:10:18","modified_gmt":"2023-03-31T16:10:18","slug":"critics","status":"publish","type":"page","link":"https:\/\/www.giacintobosco.com\/en\/critics\/","title":{"rendered":"Critics"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row&#8221; woodmart_parallax=&#8221;1&#8243; css=&#8221;.vc_custom_1613576813099{background-image: url(https:\/\/www.giacintobosco.com\/wp-content\/uploads\/2020\/08\/test-4.jpg?id=7182) !important;}&#8221; mobile_bg_img_hidden=&#8221;no&#8221; tablet_bg_img_hidden=&#8221;no&#8221; woodmart_gradient_switch=&#8221;no&#8221; row_reverse_mobile=&#8221;0&#8243; row_reverse_tablet=&#8221;0&#8243; woodmart_disable_overflow=&#8221;0&#8243;][vc_column scroll_x=&#8221;0&#8243; scroll_y=&#8221;-40&#8243; scroll_z=&#8221;0&#8243; woodmart_text_align=&#8221;right&#8221; parallax_scroll=&#8221;yes&#8221; css=&#8221;.vc_custom_1613552311924{padding-right: 30px !important;padding-left: 30px !important;}&#8221; mobile_bg_img_hidden=&#8221;no&#8221; tablet_bg_img_hidden=&#8221;no&#8221; woodmart_parallax=&#8221;0&#8243; woodmart_sticky_column=&#8221;false&#8221; mobile_reset_margin=&#8221;no&#8221; tablet_reset_margin=&#8221;no&#8221;][vc_empty_space height=&#8221;180&#8243; woodmart_hide_large=&#8221;0&#8243; woodmart_hide_medium=&#8221;0&#8243; woodmart_hide_small=&#8221;1&#8243; woodmart_hide_extra_small=&#8221;1&#8243;][vc_empty_space height=&#8221;100&#8243; woodmart_hide_large=&#8221;1&#8243; woodmart_hide_medium=&#8221;1&#8243; woodmart_hide_small=&#8221;0&#8243; woodmart_hide_extra_small=&#8221;0&#8243;]\n\t\t<div id=\"wd-60117a13067d1\" class=\"title-wrapper wd-wpb wd-set-mb reset-last-child  wd-rs-60117a13067d1 wd-title-color-white wd-title-style-default text-center  wd-width-enabled wd-underline-colored\" style=\"--wd-max-width: 60%;\">\n\t\t\t\n\t\t\t<div class=\"liner-continer\">\n\t\t\t\t<h1 class=\"woodmart-title-container title  wd-font-weight- wd-fontsize-xxxl\" >CRITICS<\/h1>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\n\t\t[vc_empty_space height=&#8221;100&#8243; woodmart_hide_large=&#8221;1&#8243; woodmart_hide_medium=&#8221;1&#8243; woodmart_hide_small=&#8221;0&#8243; woodmart_hide_extra_small=&#8221;0&#8243;][vc_empty_space height=&#8221;180&#8243; woodmart_hide_large=&#8221;0&#8243; woodmart_hide_medium=&#8221;0&#8243; woodmart_hide_small=&#8221;1&#8243; woodmart_hide_extra_small=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1475586743184{margin-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab0fcf0\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Doppio sogno<br \/>\n<\/span><\/h3>\n<p>Giacinto Bosco\u2019s exhibiton \u201cDoppio Sogno\u201d at Lake Iseo is curated by Angelo Crespi and presents about 40 bronze works that best represent the entire production of the Sicilian sculptor.<\/p>\n<h5><a href=\"\/?page_id=14911\"><span style=\"color: #7eb2e8;\">Watch the video<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tAngelo Crespi\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab0ffc4\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Giacinto Bosco: love between mythology and mythography<br \/>\n<\/span><\/h3>\n<p>A sculpture that perfectly exemplifies the poetics of Giacinto Bosco between mythology and mythography: on the one hand, in fact, the Sicilian artist&#8230;<\/p>\n<h5><a href=\"\/?page_id=14895\"><span style=\"color: #7eb2e8;\">Read more<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tAngelo Crespi\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1475586743184{margin-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab10141\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Altalena sulla luna<br \/>\n<\/span><\/h3>\n<p>Vittorio Sgarbi talks about the artwork \u201cAltalena sulla luna\u201d (<em>Swing on the moon<\/em>) by Giacinto Bosco, giving his accurate interpretation and capturing its deepest essence.<\/p>\n<h5><a href=\"\/?page_id=13617\"><span style=\"color: #7eb2e8;\">Watch the video<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tVittorio Sgarbi\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic and historian\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab10282\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Bosco&#8217;s Moon<br \/>\n<\/span><\/h3>\n<p>The moon, in Alcamo, is not like elsewhere. Its light is different, it is closer and brighter. One feels as if one can touch it. And someone has. Someone has started to speak about love right from here.<\/p>\n<h5><a href=\"\/?page_id=12324\"><span style=\"color: #7eb2e8;\">Read more<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tVittorio Sgarbi\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic and historian\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1475586743184{margin-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab1037f\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Why are you there, Moon, in the sky? Tell me Why you are there, silent Moon?<\/span><\/h3>\n<p>One immediately understands that in this series of images there is a sort of Mission of Liberation: <strong>Giacinto Bosco<\/strong> announces that Utopia, through multiple moments of true poetry, can transmit its message to the heart of the observer.<\/p>\n<h5><a href=\"\/?page_id=7949\"><span style=\"color: #7eb2e8;\">Read more<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tPaolo Levi\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic and historian\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab10478\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">Moonlight<br \/>\n<\/span><\/h3>\n<p>Regarding the work of Giacinto Bosco, Paolo Levi writes: \u201cThe narration is of a disarming simplicity, without any rhetorical embellishment\u201d. It is precisely in this way that I prefer to read Giacinto\u2019s sculpted figures.<\/p>\n<h5><a href=\"\/?page_id=12314\"><span style=\"color: #7eb2e8;\">Read more<\/span><\/a><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tBoris Brollo\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic and curator\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1475586743184{margin-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]\t\t\t<div id=\"wd-6a8e37ab10586\" class=\"testimonials testimon-style-standard color-scheme- wd-fontsize-m testimon-align-left  wd-wpb\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\" wd-grid-g\"  style=\"--wd-col-lg:1;--wd-col-md:1;--wd-col-sm:1;--wd-gap-lg:30px;--wd-gap-sm:10px;\">\n\t\t\t\t\t\n\t\t\t\t\t\n<div class=\"testimonial wd-col\">\n\t<div class=\"testimonial-inner\">\n\t\t\n\t\t<div class=\"testimonial-content\">\n\t\t\t<div class=\"testimonial-rating\">\n\t\t\t\t<span class=\"star-rating\">\n\t\t\t\t\t<span style=\"width:100%\"><\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n<h3 style=\"font-size: 24px;\"><span style=\"color: #9e7934;\">The Lunar Enigma of Isidore<\/span><\/h3>\n<p>How many ways round in circles to finally surprise the Moon. Or before getting there, in a journey towards the unknown. The Enigma by Isidore Ducasse is Man Ray\u2019s photograph of a mass, a parcel, a sculpture.<\/p>\n<h5><span style=\"color: #7eb2e8;\"><a style=\"color: #7eb2e8;\" href=\"\/?page_id=7987\">Read more<\/a><\/span><\/h5>\n<p>\n\t\t\t<footer>\n\t\t\t\tBoris Brollo\n\t\t\t\t\t\t\t\t\t<span>\n\t\t\t\t\t\tArt critic and curator\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/footer>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t[vc_separator][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; woodmart_parallax=&#8221;1&#8243; css=&#8221;.vc_custom_1613576813099{background-image: url(https:\/\/www.giacintobosco.com\/wp-content\/uploads\/2020\/08\/test-4.jpg?id=7182) !important;}&#8221; mobile_bg_img_hidden=&#8221;no&#8221; tablet_bg_img_hidden=&#8221;no&#8221; woodmart_gradient_switch=&#8221;no&#8221; row_reverse_mobile=&#8221;0&#8243; row_reverse_tablet=&#8221;0&#8243; woodmart_disable_overflow=&#8221;0&#8243;][vc_column scroll_x=&#8221;0&#8243; scroll_y=&#8221;-40&#8243; scroll_z=&#8221;0&#8243; woodmart_text_align=&#8221;right&#8221; parallax_scroll=&#8221;yes&#8221; css=&#8221;.vc_custom_1613552311924{padding-right: 30px !important;padding-left:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12348","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Critics - Giacinto Bosco - Scultore<\/title>\n<meta name=\"description\" content=\"Some of the major art critics on Giacinto Bosco and his artworks: read the abstracts by Sgarbi, Levi, Brollo and watch the videos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giacintobosco.com\/en\/critics\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critics - Giacinto Bosco - Scultore\" \/>\n<meta property=\"og:description\" content=\"Some of the major art critics on Giacinto Bosco and his artworks: read the abstracts by Sgarbi, Levi, Brollo and watch the videos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.giacintobosco.com\/en\/critics\/\" \/>\n<meta property=\"og:site_name\" content=\"Giacinto Bosco - Scultore\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-31T16:10:18+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.giacintobosco.com\/en\/critics\/\",\"url\":\"https:\/\/www.giacintobosco.com\/en\/critics\/\",\"name\":\"Critics - 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